Standing Tall

We just returned from a nice break for a family Christmas in Cowtown (Ft. Worth, TX). I got to ride both ways in yet another too-small airplane - on this occasion, an Embraer courtesy of US Airways, who seems to believe that these little crackerboxes whose aisleways and restrooms can barely accommodate someone who's six feet tall are quite adequate for a 3 1/2 hour flight.

I hate to end this rather painful year on a grumbling note, but as 2008 gives way to a new one with new possibilities, I think it's time to rise up to my full height (6'6") and talk down to some of those who have made being tall a real pain - and salute those who have rejected "heightism" and made life just a little bit better for big guys.

Thumbs-down to every airline that won't take an extra step to accommodate a tall person in an appropriate seat. Thumbs-up to the occasional savior at the gate who takes pity on the tall person with a quickie seat reassignment.

Thumbs-down to the sadistic interior designer who spent the '80s and '90s in the Marriott organization designing utility soffits that hang over the bathroom sink at forehead level. (Brush, lean, spit, indent scalp.). Thumbs-up to those few hotels I've found that offer California king beds.

Thumbs-down to SUV designers who think that loading up a bloated center console with buttons, screens and features is more important than creating legroom for the driver whose sole reason for buying the big rig is to be able to push the gas and brake pedals without having his knees in his chest. Thumbs-up to the designers of my 2004 Acura MDX who got it right - I may need to drive that vehicle forever.

Thumbs-down to the taxicab sedans in Boston, Philadelphia, and other cities whose driver security panels seem to be made of battleship steel, giving me nowhere to put my legs, let alone trying to turn my feet around. Thumbs-up to the occasional taxi driver who comes along in a minivan, SUV or Lincoln sedan - may their numbers increase (and their gas mileage improve).

Thumbs-down to hotels and restaurants who equip their conference and dining facilities with low, rigid chairs with backs that hit me in the ribs. Thumbs-up to the growing trend in restaurants to make bar-height seating (with nice tall stools that frequently have backs) one of the dining room options. And thumbs-up to the Herman Miller salespeople who manage to talk some of the best hoteliers into equipping their conference rooms with Aeron chairs.

America is growing taller. Let's hope that in 2009, American seating, bedding, and shower heights grow with it. Happy new year.

December 7 Will Be A Day of Music

One last reminder that Lidia Kaminska (accordion), Jennifer Curtis (violin) and Michael Mizrahi (piano) will be performing works of J.S. Bach, Scarlatti, Piazzola, and several contemporary Russian composers on December 7, 3:00 p.m., at the Trinity Center, 22nd and Spruce Streets, near Rittenhouse Square in Philadelphia. Tickets are available here. You can find more details and links below on my July 16 and 23 posts.

Earlier that day, Settlement Music School will be celebrating its 100th anniversary with a live broadcast from the Park Hyatt in Philadelphia. Details from the School's website follow:

Settlement 100 Sunday Brunch and Live Broadcast, 11am-2pm, Grand Ballroom, Park Hyatt at the Bellevue, Broad and Walnut Streets

Featuring performances by alumni, faculty and students, and interviews with distinguished guests. Broadcast live on WRTI-FM, the Sunday Brunch celebrates the Settlement 100 – a roster of 100 interesting, diverse and unexpected individuals whose Settlement experience helped shape their lives.

Featuring performances by:
Settlement 100 Honoree Joseph Anderer, French horn
Settlement 100 Honoree John E. Blake Jr., violin
Beth Levin, piano
Teresa McCann, piano
Leah Mellman, piano
Settlement 100 Honoree Diane Monroe, violin
Reginald Pindell, baritone
Jeffrey Uhlig, piano
Myer Schwartz Advanced Study Piano Trio
Rosalie Magen Weinstein & Matthew B. Weinstein Advanced Study Woodwind Quartet
Gail W. Snitzer Advanced Study String Quartet

Tickets: click here or call 215-320-2686. Tickets will be mailed ahead of time.

An All-Star Jazz Jam Benefiting Settlement Music School

This year marks the centennial of Settlement Music School, the nation's oldest and largest community school of the arts, providing musical instruction to over 15,000 people of all ages at six branches in the Philadelphia area. Since 2005, I've had the honor of chairing Settlement's board. We're celebrating our first century of service to the community -- and revving up for our second century -- with a series of public events, a major fundraising campaign to secure the School's future, and an all-out effort to reconnect with former students and connect with music lovers who should know about the School.

The next terrific event in our centennial year is a concert by the Settlement Music School Jazz All-Stars, under bandleader Joe Sudler. All of the artists either taught or were taught at Settlement Music, and we're so grateful they're coming back to help us to celebrate. Featured artists include:

George Allen, Jr, trombone
John Blake, violin
Tony DiSantis, trumpet
Duane Eubanks, trumpet
Matt Gallagher, trumpet
David Gibson, drums
Bob Howell, tenor sax
Leonard Nelson Hubbard, bass
Randy Kapralick, trombone
Kevin MacConnell, bass
Craig McIver, drums
Dave Posmontier, piano
Wallace Roney, trumpet
Jaleel Shaw, alto sax
John Simon, tenor sax
Wayne Smith, trombone
Louis Taylor, alto sax
Sumi Tonooka, piano
Jose Vidal, trombone

These great performers will come together on Sunday, November 16, at 3:00 p.m. at the Independence Seaport Museum, Penn's Landing, in Philadelphia, and a reception with the artists will follow. Tickets are $20. Call (215) 320-2686 or order online.

Settlement has given the world some terrific artists in every genre of music, from jazz guitarist Kevin Eubanks of The Tonight Show to pop star Chubby Checker, from soprano (and star of the great suspense film Diva) Wilhelmenia Fernandez to the above-mentioned Leonard Nelson Hubbard of hip-hop pioneers The Roots. And the School has at least one alumnus on every major symphony orchestra in the United States. I'll have more to say about Settlement and how important it is to the future of the arts in Philadelphia in a later post.
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Oboomer

As a boomer (and proud of it), I take offense at the assertion by various commentators (among them Gail Collins in The New York Times) that our President-Elect is not part of the boomer generation. Barack Obama was born on August 4, 1961. That means he was part of the "second cohort" of baby boomers, born between 1955 and 1964. There are 76 million Americans who make up the boomer generation, including the President-Elect. Three boomers -- Bill Clinton and George W. Bush (both born in 1946) and Barack Obama -- will have served in the White House. I am confident that two of them will be remembered for their successes in war and peace and for their pragmatic and effective centrism.

Bond... the Real James Bond

I'm a latecomer to 007. I didn't pay much attention during the Sean Connery and Roger Moore years, and only started paying to see Bond films when Pierce Brosnan stepped into the role. I never read Ian Fleming's novels until, for some reason, my son became fascinated by them (and by Agatha Christie mysteries) when he was about eight years old. The Bond novels became part of our bedtime reading, usually between releases of Harry Potter books (though I expurgated Bond as I read aloud). I do think Daniel Craig's reinvention of Bond in a darker vein is a triumph, and I will be in a neighborhood theater when Quantum of Solace premieres in the U.S. next weekend.

Last week, I learned about the connection between Ian Fleming's hero and my neighborhood of Chestnut Hill in Philadelphia. James Bond was an Oxford-trained ornithologist who worked at the Academy of Natural Sciences in Philadelphia (America's oldest science museum). Bond lived near the Philadelphia Cricket Club in Chestnut Hill. Fleming was a fan of the Caribbean and of birding, and Bond's "Birds of the West Indies" was by his bedstand when he was casting about for a suitable name for his fictional secret agent.

Bond worked at the Academy for some 60 years. According to a WHYY radio interview last week with an Academy executive, the real James Bond met the real Ian Fleming exactly once -- at Fleming's Jamaica escape, "Goldeneye" (which gets a lovely write-up in an article about Fleming and Jamaica in this New York Times article this weekend). During that visit, Fleming reportedly inscribed a copy of his novel "Goldeneye": "To the real James Bond from the man who stole his name." I am also reminded that the real Bond's birding book makes a cameo in the movie Die Another Day as Pierce Brosnan flips through it while visiting Havana. (Guess I missed it - must have been distracted by Halle Berry's emergence from the sea.)

What We Learned in Venice

As your diligent correspondent, I want to wrap up the report on our visit to the Aegean and Adriatic with a handful of comments on Venice.

We enjoyed the city much more than we expected to. The palaces are magical. The paintings and statues are overwhelming. The prices are breathtaking.

Getting around is good exercise and, when the crowds are lighter (as they were this time of year), and good fun. We never realized that all those gently-arcing footbridges over the canals actually have steps on either side, so every three minutes or so we were adding more aerobics to our workout.

We had been warned that, as non-residents, we would have to pay 6.50 euros every time we boarded a vaporetto (water bus), which are the best way to circumnavigate the islands. And if any of the boatmen had actually collected a ticket from us (or, from what we could see, anyone else entering and exiting the boats), we would have been a lot poorer after three days -- but it must have been vacation season for the ticket-takers.

San Marco was pleasant on a cool, quiet Sunday morning in late October. After the obligatory walkabout and shuffling through pigeons, we took a table at Grand Caffe Quadri, one of the two original cafes on the square, and for $50 enjoyed a cappuccino and the music of two neighboring caffe orchestras, the Quadri's five-piece band (piano, violin, clarinet, guitar and the all-important accordion) and the similar Caffe Florian combo. They take ten-minute shifts playing little thematic sets (Italian folks songs, bossa nova, American show tunes, and so on). And when their ten minutes is up, that's it -- even if they're in the middle of a number.

Once you've done your San Marco thing, get away from the oppressive retailing atmosphere and head for the neighborhoods. We took a walking tour of Dorsodouro (where we stayed), the finger of land that separates the Grand Canal from the Giudecca. We wandered by the longtime home of Ezra Pound, the original harlot district, the university neighborhood, the gondola maintenance shop (which has an Alpine-like wood facade reflecting the architecture of Alto Aldige to the north), and the main craftsman of forcole (the odd-shaped carvings that hold the gondolier's oars in place, more of which are sold as decorative souvenirs than for the boats themselves). An even more entertaining walking tour of the Cannaregio included a visit to a small brass foundry (where they used to make the hood ornaments for Jaguars), a Venetian printer (Gianni Basso, about whom more below), a marble workshop in Tintoretto's old studio, and other hidden pleasures.

Being introduced to a character like Gianni Basso (or, as he call himself, "Gianni Gutenberg"), is the kind of kick that makes city-wandering fun. He owns thousands and thousands of old carved printing plates, and an endless trove of typefonts. He does small-run specialty printing, setting the type and inking the plates by hand with classic colors like Venetian red. His window features calling cards he's done for Hugh Grant and Gael Greene, music plates for Michael Tilson Thomas, and on and on, a global clientele with whom he will only work in person -- no PCs, no faxes. Sometime next month, we'll be the proud owner of Gianni Gutenberg calling cards.

The secret to getting your "gondola ride" without having to fork over bags of euros is to hop aboard the traghetti, little, genuine gondolas rowed by little, genuine gondoliers, that operate as short-hop shuttles across key points on the Grand Canal and elsewhere. Forty euro-cents a ride. In fact, this article on touring Venice by traghetto (which ran in The Wall Street Journal while we were in Venice) looks like a terrific off-the-beaten-path itinerary, and incorporates segments of our own adventure.

We enjoyed our visits to the Accademia (currently undergoing extensive renovations, but wonderfully easy access to its 13-17 c. paintings at this time of year) and the Peggy Guggenheim (with her modern art collection arrayed in a beautiful canalfront setting). But this was our favorite Venetian painting story:

In Santa Maria Assunta church in the residential neighborhood of Cannaregio, there is stunning carved marble and marble inlay intended to mimic the look of Venetian velvet. There are works by Venetian masters including Tintoretto ("The Assumption of Mary") and Titian. The latter's "Martyrdom of San Lorenzo" is a fine example of the artist's work in chiaroscuro. San Lorenzo (St. Lawrence), we learned, is the patron saint of chefs and comedians. He is depicted being burned alive (hence "chefs') by the Romans, lying on a fiery grate and reaching his hand upward -- but, they say, he's not pleading to God for mercy, but instead is saying, "Turn me over, I'm already done on this side."

Our only real disappointment with Venice -- it's difficult to eat well there. Everything has to be shipped in (as one guide said, "Venice produces only one thing: rubbish"). Maybe because it's trapped in a culinary no-man's land between the Germanic bread-and-fryers and the Adriatic catch-and-grillers, they don't seem to have any indigenous dishes of note (I love calves' liver, but "Venetian style" with onions or figs and polenta left me cold). Our most satisfying meals were comprised of cicheti (tapas) at the neighborhood wine bars.

We will be back -- but we may pack a lunch.

A "Taste" of Reality at the Googleplex

In September, I blogged about my visit to Google's headquarters in Silicon Valley, where I marveled at the quality of free food and drink available anywhere on campus at all hours (as well as the bikes, helmets and umbrellas by every door, and the remarkable, if slightly singeing, heated toilet seats). Well, it looks like the new economic realities have even reached the Googleplex. The New York Post reports -- at Google's New York offices, at least -- a cutback in cafe hours, the elimination of afternoon tea, and other concessions... including limits on free food for guests! I apologize to the Googlers if the fact that I was seen leaving with Power Bars and Honest Tea stuffed in my coat caused this reconsideration of policy.

No Dogs, No Guns, No Ice Cream

In the waning days of our visit to the Aegean and the Adriatic, time flew too quickly, and I couldn't find a few minutes to post. Let me share a few observations about the Balkans, and later in the week I'll come back to what we learned about Venice in three nights (and about 50,000 steps).

*We popped into a few fragments of Tito's Yugoslavia -- Kotor, a beautiful seaport town on the coast of Montenegro (the 192nd member of the United Nations, admitted two years ago), followed by Split and Rovinj ("ro-VEEN," or in Italian, Rovigno) in Croatia.

*You'll hear a lot about Croatia and Montenegro being "the new and undiscovered Riviera." Listen to those people. These areas feature some lovely coastlines (some of which has, unfortunately, already given way to Costa do Sol-style overdevelopment), stunning mountains (Kotor is a fortified town tucked in against a mountain that soars 2000 feet almost straight up from the sea), and fascinating history (most of Split's old town is built within the substantial remnants of the palace of the fourth-century Roman emperor Diocletian -- the only Roman emperor ever to retire, and thus to die reasonably happy)... oh, and some very good cheese (fresh farmer's cheeses seem to be a mainstay here) and seafood (if you find yourself in Kotor, grab a table at Galion just outside the city's walls on the fjord and enjoy the best grilled calamari you'll ever taste).

*Croatians are a tall people. I am accustomed to walking through ancient European tourist zones and ducking the low clearances. In Croatia, I had plenty of company -- both men and women. (I followed one rail-thin blonde for a block to try to figure out whether she was taller than me, but her gait was so fast that I'm just about certain she was -- or that she thought she was being followed.) Now I understand why the NBA has so much Croatian talent.

*One of my favorite parts of any trip abroad usually has something to do with music, and this trip was no exception. As I walked through the emperor's gate in Diocletian's palace in Split, I saw five young men in denims assembling themselves in a niche in an open-roofed, egg-shaped hall. One of them sounded a chord on a harmonium, and the men launched into the sonorous harmonies of Croatian folk songs. Some of their chords and phrasing reminded me of emotional Eastern hymns, but there were a few moments where they sounded like an American doo-wop group. I bought their CD (though I've got the feeling it may have been their older brothers, as it was recorded at the Radio Split studios in 1999), which I've added to my small collection of great street music of the world.

*My favorite signs in Croatia: three symbolic decals on the windows of a hotel with the universal red circle and slash that signified "no dogs, no guns, no ice cream."

*We were struck by the fact that as we sat at cafes by the ports in these towns, we always saw at least one middle-aged or older fellow walk by in a nicely-cut suit, with a fedora, a pocket square, and the look of someone who is ready to talk his way into someone's heart or wallet. "Dirty Rotten Scoundrels," Ann joked. (Which was actually the Cote d'Azur, but point taken).

*The Balkans are (rightly and sadly) synonymous with political instability, and things are no different in the 21st century. A couple of days after we left Croatia, there were bombings in the capital of Zagreb that killed some journalists. And just a few days before we arrived in Montenegro, there were demonstrations in the capital of Podgorica opposing Montenegro's recognition of the breakaway nation of Kosovo (which wants to say goodbye to Serbia). While in Kotor, I picked up a copy of The Montenegro Times, a weekly English-language newspaper (with a couple of pages in Russian), and flipped through it to get some sense of what was on the minds of Montenegrins. I came across a story in which the metropolitan (equivalent to bishop) of the Serbian Orthodox Church warned Montenegro against recognizing Kosovo, despite the fact that the EU is inclined to do so. If you don't appreciate how deeply the passions run about religious, ethnic and political matters in the Balkans, take a deep breath and read the following paragraph (quoted in the Times) from the metropolitan's letter to the leaders of Montenegro:

"You have the historic responsibility to decide whether, following the path of St. Petar Cetinjski and King Nikola, you will save honor and preserve the dignity of Montenegro, its righteousness and freedom, which our country rests upon, or, God forbid, you will set a mark of disgrace on its face, and adorn it with such shame and humiliation that has never been seen in the centuries-long history of chivalry and strong character."

Makes our rhetorical brawls back home look pretty tame.

Piccolo Mondo

There are six billion people on earth, but it's astonishing how frequently you find yourself talking with someone who has intersected with someone else in your life.

During our just-concluded trip to Europe, we had quite a number of "piccolo mondo" episodes. Here are just four that happened in the last few days:

*On the ship, we befriended a delightful couple from New Zealand. Over dinner last Thursday night, we learned that the gentleman once served as prime minister. He said he has also been a Constitutional lawyer and teacher, and that he and his wife had once lived in Iowa when he taught at the University of Iowa Law School. I asked whether they might ever have met Nick Johnson, an FCC commissioner under President Johnson, whose work influenced Ann and me to get involved in communications policy decades ago; I knew that Nick was a long-time member of the Iowa Law faculty. Turns out they knew Nick well enough to have been his guests for Thanksgiving dinner back in Iowa.

*We took a walking tour through the Cannaregio siestri (district) of Venice. Our guide was a young graduate student of the art of Renaissance from Arizona. He brought us into a dusty workshop (which had served as Tintoretto's studio centuries ago) where men wearing handmade hats of folded newspaper were cutting and carving marble into tombstones for the city cemetery on the nearby island of San Michele. Our guide pointed out the maestro of the shop, a near-deaf 94-year-old man who stood silently as he delicately chiseled the face of an angel into stone. We struck up a conversation with another stoneworker, a man of our age. Upon learning that we were Americans, he reported that he has a nephew who owns a restaurant in Los Angeles on La Brea Boulevard. "What's it called?" our young guide asked. "Al Angelo," the man said. "Wow!" our guide said. "When I lived in L.A., I worked in that restaurant. Piccolo mondo!"

*We were waiting in line at Gatwick for a transfer to Heathrow. I was wearing a fleece jacket promoting the U.S. Comedy Arts Festival in Aspen (now sadly defunct). A woman tapped my arm and asked, "Are you actually a comedian or just a judge?" "Neither," I replied. "My son is studying film in college and is a comedy writer and improv artist." "Oh, our children do comedy, too," she replied, and said that her daughter's name is Rebecca Drysdale. "We saw her perform in Aspen," we exclaimed. In fact, Rebecca won the top performance award during our first year at the festival. Her material and characters (particularly her musical comedy) made a strong impression on our son, who works in a similar vein. The Drysdales also said their son, Eric, was a long-time writer for Jon Stewart and Stephen Colbert, and was a part of this year's Emmy-winning Colbert writing team. I told them that the sister of a former member of my staff was the sole woman on that writing team. And, to top it off, we discovered that 20 years ago, Eric attended the same college in Boston that our son attends today and had the same (outstanding) writing teacher.

*As I write this aboard our British Airways flight back to the States, Ann is chatting with Norma, the flight attendant. It came up that Norma hails from Belfast, Northern Ireland. Ann mentioned that she and our son visited the city last July at the invitation of our friend George Clarke, a one-time camp counselor for our son, to attend the premiere of George's independenly financed political/zombie movie (a first for Northern Ireland in countless ways!). No, Norma wasn't at the premiere, but she knew all about the film from local press.

Piccolo mondo, indeed.

I Love You Trulli: A Visit to Puglia

Puglia is the province on the heel of the boot of Italy. It is a dry land, but by tapping into deep aquifers, the natives have made it a thriving region for growing olives, almonds and cherries. (We're told springtime there is particularly beautiful.)

On our cruise, we arrived in the city of Bari, one of the region's two most important commercial centers. We were taken to the town of Alberobello, about an hour away. This town, a UNESCO World Heritage Site, contains an estimated 4000 examples of an architectural style unique to this region and inspired by a desire to evade taxes: the trullo ("TRUE-low").

Trulli are houses that are built using the native limestone which is constantly being burped up out of the soil - you can see small limestone chunks everywhere amid the olive trees and farmland. The homes and roofs are built as dry walls, without cement. Some of them resemble beehives, but most look like tiny white silos (they are whitewashed annually) with grey roofs (the off-white limestone stacks darkens with exposure).

The drywall construction has its roots in feudal times. The region of Puglia was divided up among feudal lords during the 15th century when the King of Naples ruled over the land. After a lengthy war, the victorious lord allowed the peasants to begin building trullis as homes using the fieldstones, but they were only permitted to use dry construction.

The reason? Periodically, the king of Naples would send his controller around the countryside to assess the taxes he was owed by the feudal lords. Taxation was based on the number of residences standing in the lord's domain. So when word arrived that the controller was on his way, the peasants were ordered to dismantle their homes. This was easily done by removing the keystone, which caused the roof to collapse, so when the controller rode into town, all he saw were piles of stones.

Today, many of the trulli have been adapted into simple but attractive residences, and almost all are still drywall. We were permitted to walk through one, and it was surprisingly spacious considering that the buildings look like hobbit huts from the outside. Some trulli in the countryside have been purchased by Brits and others and refurbished into cozy holiday homes.

The village of Alberobello is charming. It is like no other place on earth, and it's worth a visit.

Of Cats, Olives, Graffiti and the Market

The comment we heard uttered most frequently aboard our ship in the past week was, "If this cruise wasn't prepaid., I wouldn't be here." It has been a bit surreal plying the waters of the Aegean and the Adriatic while the pillars of the global economy were crumbling. You can probably look for cruise ship bargains for the next couple of years while our economic ship is being righted.

Our tour of Greece began in Crete (where we elected to stay on board and rest) and ended in Corfu. I won't bore you with too much travelogue - the Greek isles are in fact among the most beautiful on earth, Oia (pronounced EE-yah, on Santorini) is picture-perfect with its whitewashed buildings and cobalt blue rooftops, the Acropolis is awe-inspiring (made even more so as we clambered around it while being buffeted by 30 mile an hour winds and trying to keep our balance on worn-smooth marble), Navplion (in the Peloponnese, the first capital of independent Greece in the 19th century) and Corfu are perfect Aegean/Ionian towns that we'd return to in an instant.

Some notes along the way:

* Cats are everywhere in Greece and Turkey. Apparently no one "owns" them, and there are no SPCAs in the region, but they all appear to be well cared for.... and widely photographed. Ditto for the dogs on the Acropolis and in the ruins of Ephesus (Turkey).

* On every tour we have heard about each region's unique contributions to the olive oil industry. We heard that southern Greece has about 140 million olive trees, and that the Puglia region of Italy (about which more later) has about 50 million trees, and that other regions on our journey had tens of millions. Doing some rough math to account for Turkey, the rest of Greece and Italy, France, and the rest of the Balkans, we've concluded that there are a bajillion olive trees on earth. And to think that it all began (according to myth) with the Tree of Athena atop the Acropolis.

*On a trip to the beautiful old town of Lyon, France about five years ago, we were stunned by the amount of graffiti on its ancient walls. On this trip, we've continued to be amazed at how much graffiti mars the beautiful towns and villages of Turkey, Greece and southern Italy. For those of you who are Philadelphians, you'll know what I mean when I say "Paging Jane Golden!"

Notes on the Journey (from a harbor in Crete)

Remembering that we were on this cruise to relax, we decided not to go ashore at Aghios Nikolaos in Crete, which appears to be a nice but unremarkable Mediterranean port city. Most of the attractions here are in museums - not our favorite when there's so much to see outdoors in situ around the Aegean - or involve long bus rides. Prof. Sussman, the guest lecturer onboard, characterized the largely reconstructed Minoan palace of Knossos as "Disneyland," which we took as a license to pass it up. And just sitting in the harbor, almost completely surrounded by Greek isles and trying to finish Ted Sorenson's book "Counselor," is pleasant enough. We'll next go ashore at Mykonos tomorrow.

Odds and ends from the last several days:

*The well-trained Turkish tour guides made certain to inform us that Herodotus (the father of history), Homer, and Santa Claus (St. Nicholas, bishop of Myra in southern Turkey), were among Turkey's famous denizens, and that ancient Troy and Smyrna, as well as Mt. Ararat (where Noah's ark landed) were all on Turkish soil.

*Turkey was also home to two of the Seven Wonders of the Ancient World: the afore-mentioned Tomb of Maussollos (mostly reduced to rubble, but the ruins at the site are worth a visit), and the Temple of Artemis (Diana) at Selcuk (of which nothing remains).

*Note to Turkish marketers: if you want your bottled spring water to appeal to Westerners, best not to give it a brand name like "Aroma" - that's not an attribute people look for in their water. (The stuff is actually pretty good.)

*You meet some interesting people on these ships, not the least of whom are the young crewmembers. Some join just to see the world, some are climbing the next rung in the ladder of professional hospitality, and some have fascinating backstories of travail and consider their cruise ship experience to be the best break they've had in their lives. One notable thing that typifies the crews on all three Mediterranean cruises we've taken. - other than entertainers and lecturers, there hasn't been an American in the lot. This is a shame - onboard experience clearly builds character, rewards a serious work ethic, and exposes you to many corners of the globe.

*A "Greek Breakfast" as defined by our guide in Santorini: "coffee, cigarettes and a newspaper."

Goodbye to Turkey, Hello to Greece

This is usually not the best time of year to visit Turkey's southern coast, we're told - it can get very rainy during late September and early October. But we were presented with a perfect day to walk through the primary tourist attractions in the whitewashed city of Bodrum.

The Castle of St. Peter (erected by the peripatetic Knights of St. John in the 13th century before they moved to Malta) and the remnants of the Tomb of Maussollos (the source of our word "mausoleum," it was one of the Seven Wonders, destroyed in an earthquake, with many of its parts later used in other structures - it became kind of a "pre-cut marble quarry" for the town) .

Bodrum has a picture-perfect inner "yacht harbor," but rather than a basin full of floating fiberglass mansions, this harbor features scores of wooden sailing ships, many of them the round-sterned, locally produced craft know as "gulets." And the promenade around the harbor is one of the most pleasant we have seen in our visits to Middle Earth.

Our wrap-up on Turkey: This is a land that has really only opened itself up to tourism over the last two decades, and there is much of historic interest to see - the quality of the antiquities is stunning and not to be missed by any fan of archaeology or ancient civilizations. The towns and cities are well-maintained, and the streets and sidewalks are kept very clean. The food is good and fresh, if not particularly inventive. If you're a bargainer by nature, shopping can be great sport - if you're not, then it's not as much fun. The three Turkish guides we had over the course of three days were warm and interesting people, and they all were emphatic that Turkey is a secular nation and that it should stay that way. It's clear that the current ruling party, which has fundamentalist Islam leanings, is a source of discomfort for the educated class, and they are concerned that the image of these rulers not scare away tourist dollars. Fortunately, if the crowds of tourists we saw during the early autumn season are any indication, that is not an immediate risk.

From Bodrum, we sailed to Santorini, anchoring in the harbor facing the walls of the immense caldera that sits in the middle of what was once the island's core. It's a picture-postcard island, with iconic views of whitewashed buildings, cobalt blue doors, windows and rooftops set against a turquoise Aegean Sea. The villages are set 1000 feet above sea level, and you get there either on a bus making hairpin turns on roads with no safety barriers (as we did, because we were on a tour), on a funicular (much like a skilift), by mule or on foot.

Santorini's primary contribution to history seems to be the fact that it blew up circa 1500 BC, and the volcano created a quake and tsunami that destroyed the Minoan civilization on Crete, opening the door to the Mycaenean civilization. Today, the island exists mainly for fun and, relatedly, for winemaking - though I would stick with the vinsanto and some of the whites and avoid the reds. Oia ("EE-ya"), the loveliest of the 13 villages, offers fun walks, awe-inspiring views and a number of fine and creative jewelry shops and art galleries.

Tourist tip: When a guidebook tells you how many steps you must walk to approach a hillside castle or trek through a mosque or a palace, multiply that number by three. Ann called Bodrum Castle "a medieval Thighmaster."

Snapshot: Ephesus, Turkey

After crossing the Dardanelles, we docked in Kusadasi, a summer resort popular with Europeans. We went almost immediately to the historic site of Ephesus.

Ephesus is magnificent - a 3000-year-old city in southwestern Turkey, abandoned in the 7th century AD (when the harbor silted over), where an incomparable set of Greco-Roman ruins representing about 10 percent of the original city have been excavated and beautifully restored.

Ephesus was the third-largest city in the world at its peak with a quarter-million residents. Only Rome and Alexandria were larger.

In the Christian world, Ephesus is associated with St. Paul who, during one of his three visits as a missionary, locked horns with the silversmiths making idols of the goddess Artemis and was nearly put to death. It was also visited by St. John the Evangelist (who is buried in nearby Selcuk), and Mary, Mother of Jesus, whom John (according to legend) brought to Ephesus where she later died in.a hilltop building that still stands.

Some highlights of the visit:

* The breathtaking facade of the Library of Celsus, to which we returned in the evening for a chamber concert under the stars.

* The remains of a brothel immediately across the road from the library ("honey, I'm going to get something to read").

* The terrace houses - generous grants from Austrian banks and businesses have restored seven private homes full of mosaics and frescoes, and they've built a plexiglass catwalk that lets you see the homes from every angle.

* The latrines - everyone chuckled as we walked through, and the Chinese tourists all wanted their pictures taken sitting on them.

* The infrastructure - roads were made in large part of marble, grooved for safety; an elaborate water and sewer system made of terra cotta pipes, many portions of which are visible in their original locations.

*The outdoor theater - it's in terrific shape and seats 24,000 - Elton John, the Berlin and London Symphonies, Joan Baez, and Ray Charles are among those who have performed there in recent years. After a show by Sting literally rocked the house, they decided to bar rock concerts and to stop using the top 10,000 seats because they had become unstable.

*The columns- Ann points out that it's an art historian's dream to see Doric, Ionic, and Corinthian columns all simultaneously in use in one place.

*The harbor road - a stately, colonnaded marble road on which Anthony and Cleopatra walked into the city.

We had a warm-up lecture by Dr. Louis Sussman, professor emeritus of classics at the University of Florida. He used the layout and facilities of Ephesus to highlight Greco-Roman city planning concepts.

One of Dr. Sussman's favorite things at Ephesus - and it became one of ours, too - was the signage on little shops at both the entrance and exit to Ephesus reading "Genuine Fake Watches."

Unnerving moment of the day: we learned that the only commercial cruise ship that has ever been attacked by the infamous Somali pirates is the one we're on - apparently an RPG went thru the window of a suite, and there are still bullet holes visible in the hull. Fortunately, after two hours of evasive action (during which most of the guests were fast asleep), the captain shook the pirates and headed out to open sea.

More Notes on Istanbul

As we ride the rolling seas (urp) crossing the Dardanelles on the way to the Turkish Aegean ports of Kusadasi and Bodrum, a few more observations about Istanbul:

*Our breakfast buffet included the elements of a typical Turkish meal: many varieties of cheese, sheep's milk yogurt (salted, more savory than sweet), a huge array of olives (some with unusual stuffings such as orange peel and almonds), and chunks of honeycomb (I'm not entirely sure how they are to be eaten so I worked the honey loose and spat out the waxy comb. I didn't get odd looks from the waitstaff, so I guess that was OK).

*Our lunch on our day of touring the Old City was at the Pudding Shop (aka Lale Restaurant), an unremarkable place serving typical Turkish foods (stuffed zucchinis, stuffed peppers, kofte meatballs, doner kebab). But the proprietors will tell you that the Pudding Shop is "world-famous" because in articles in The New York Times and elsewhere over the years, it is hailed as the place where many a hippie would hitchhike a lift to Afghanistan or Nepal during the Seventies.

*As we sailed out of the Bosphorus into the Sea of Mamarra on Saturday evening, we saw a hundred or more container ships and other commercial craft lined up to enter the passage to the Black Sea. Apparently a serious crash in the recent past has led to strict limits on how many may pass at once. Given the huge volume of ships we saw in the Bosphorus, it's hard to imagine it any more crowded.

*A special moment on our first night in Istanbul: as we were leaving the hotel terrace, we spotted a perfect crescent moon hovering above Topkapi Palace.

Snapshot: Istanbul

Ann and I are privileged to be spending three weeks traveling from Istanbul to Athens by boat. We'll post some impressions of our ports of call, and add some photos later. (This is a Blogger Mobile posting using Blackberry, so let's hope for the best.)

This evening, we're sitting on the terrace of our hotel on the European side of the Bosphorus, gazing at the Asian side. It's a rather narrow (maybe the width of the Charles in Boston?) and incredibly busy (an estimated 50,000 commercial craft a year) waterway, hugged by buildings on both sides.

Istanbul is immense - over 15 million people - and densely populated. Traffic is as thick and scary as Rome. There is advertising everywhere - not traditional billboards, but big murals, building hangings, and some creative 3-D (for Knorr soup bases, of all things) and electronic displays. Minarets and domes of 3,000 mosques pierce the sky all across the landscape.

Ramadan is just ending. Many shops are closed. The bridges over the Golden Horn (the natural harbor that separates the Old City on the European side from the financial district) are lined check-to-jowl by men (almost exclusively) with fishing poles enjoying their holiday.

We are in a Muslim land - sung prayers ring out from loudspeakers on the minarets of the mosques several times a day - but there is a strong Western sensibility. From our visits to key tourist sites, we learned about this city's gradual orientation toward the West, beginning with some of the sultans of the 18th century who abandoned caftans for jackets, and completing its arc to secularism under Ataturk's bold leadership after World War I.

Having only one full day in the city, we hired a guide and toured Topkapi palace, Hagia Sofia (the Byzantine church turned mosque), and the Blue Mosque. We skipped the Grand Bazaar (which sounds like one immense hustle) in favor of the Spice Market, which features curries, saffron, teas, honeycombs, dried peppers, figs and fig concoctions, and every imaginable spice, but also loofahs, pastirma (Turkish pastrami, which our guide called "spicy and smelly"), 18k gold bangles, and the ubiquitous hookahs and Turkish delight sweets. The most interesting come-on: a big yellow sign reading "Turkish Viagra 6 times in night" - "garanti," said the news article below.

I always keep an eye out for street food. Here, popular items include kastane (roasted chestnuts, like "castagne" in Italian), roasted corn on the cob, freshly squeezed orange and pomegranate juices, and doner kebabs (like gyros, but on Italian-style bread rather than pita).

Odd moment of the day: a small Japanese gentleman approached our guide at the palace kitchens in Topkapi and asked our guide to take his picture. I began to step aside, but it then became apparent that he wanted to be photographed with me - not because of my celebrity, but because I stand 6'6" tall and he came up to just below my sternum. This reminded me why I've not rushed off to visit Japan - I'm afraid I'd be regarded like Godzilla.

Creating the (Almost) Perfect Internet Music System

The secret to a perfect world is having the right music playing at the right time. Thanks to the Internet, perfection is within reach.

Earlier this year, I purchased a device called a Squeezebox (which, of course, immediately appealed to me because of the play on words with the musical instrument with which I've shared five decades of my life). It's made by Logitech, best known for their mice and keyboards. You can purchase one of these devices through Amazon:



Squeezebox accesses Internet radio either directly through an Internet connection or by wireless connection to your PC or Mac. You can easily program your Squeezebox by using the Squeeze Network website. It gives you ready access to hundreds of over-the-air and Internet radio stations around the globe, as well as subscription online services like Last.fm, Rhapsody, and my particular favorite, Pandora.

Pandora is available for free (with ads) or by subscription (for $36 a year, ad-free). The service allows you to create an endless number of "radio channels" based on your preferences for particular artists and songs. Based on elaborate automated analysis of musical artists, songs and styles (they call it the Music Genome Project), and your own thumbs-up/thumbs-down ratings as you hear songs, Pandora learns your preferences (much as Amazon or TiVo) do and populates your channels with songs and artists that meet your preferences.

If your musical tastes are pretty straightforward (alt-rock, pop, jazz, hip-hop, punk, etc.), you can find a large number of pre-assembled stations or to quickly put together several of your own. If your tastes run a broader gamut, it can be more of a challenge. I had great success assembling a Leo Kottke Radio channel that brings together many of my favorite folk-oriented guitarists (Kottke, John Fahey, Bert Jansch, John Renbourn, Jorma Kaukonen, Doc Watson, Norman Blake, and on and on). Pulling together an Africa Radio station was tougher, as only about a third of the artists I searched for are currently available on Pandora. And certain classes of artists (e.g., the ruminative jazz from ECM Records) are thin because of limits on Pandora's ability to license music. In total, I've got nearly 100 radio channels on Pandora, from "Alternative One Radio" (Iron and Wine, Sufjan Stevens, Of Montreal) to "Jazz Ruminations Radio" (Keith Jarrett, Charlie Haden, Bill Evans, Brad Mehldau), from "Jazz Vocal Solos Radio" (Chet Baker, Jamie Cullum, Frank Sinatra, Bob Dorough) to "Sigur Ros Radio" (Sigur Ros, Slaraffenland, Efterklang).

But taken together, the Squeezebox plus Pandora is something close to sonic heaven.

Since I'm a Mac user, I do have one gripe -- while Squeezebox lets me access all the MP3 music in my iTunes directory (whether from discs or downloads), the Apple folks won't let Squeezebox users access their iTunes music downloads... another good reason not to buy from the iTunes Store.

Squeezebox is one a handful of good Internet radio alternatives on the market -- the Sonos system is particularly impressive - but if you already have a good whole-house audio system, or your coverage needs are simpler, the Squeezebox brings the world of Internet radio anywhere in your home at a great price.

Googlife... or, "if you worked here, you'd be home now"

I just had the pleasure of spending two days at the famed Googleplex in Silicon Valley (I think it's actually in Mountain View -- place names don't seem to mean much around there) in connection with a meeting of one of my not-for-profit boards. I was only able to visit the "Crittenden campus," which is a fragment of the 'plex. The Google people were lovely hosts and I thank them for their hospitality. No business observations -- that's not the purpose of this blog -- but a few cultural observations:

* All drink is free. When I first walked into the lobby, I saw a huge case full of Naked brand fruit juices. I took a bottle of Power C and asked where I could pay. The receptionist smiled. During the course of my visit, I probably drank $30 worth of bottled water, juices and coffee.

* All food is free. I had a couple of meals in "Cafe 14," which -- like all Google dining facilities -- features organic, predominantly locally-grown and -raised meats and produce. I enjoyed some gorgeous heirloom tomatoes and a nicely-done shrimp and grits, among other samplings. I skipped the famous desserts.

* Just outside the lobby door of each building, there is a rack of bicycles, and you can borrow without permission to ride anywhere else on campus -- and just inside each door, there's a basket of bicycle helmets. There's also a crate of Google umbrellas to borrow in each lobby. And a place to drop off your dry cleaning.

* All toilet seats are heated. They use the Toto system. I will observe that male Googlers appear to like their seats overheated. I hope my downward adjustments did not discomfort those who followed.

* Dogs are everywhere. They seem to create an informal social bond, as just about every time I saw a Googler with a dog, there was another Googler with a dog. I did not see supplies of plastic pick-up bags around, nor did I see any evidence of doggie leavings, so someone is looking after them.

* There is "useful information" everywhere you turn. While testing the afore-mentioned toilet seats, I found I could read one-page "Learning in the Loo" memos on the wall of the stall -- during my visit, I learned about alternatives to taking meetings (conference calls, webinars, etc.). There were one-pagers on HR practices on the cafeteria tables. There were bulletin boards everywhere. I could hardly find time to look down at my Blackberry.

* It appears that if you stand in one place in the Googleplex, many fascinating people will walk by you. An Eastern European prime minister was on campus while I was there. So too was a who's who of thought leaders for the Google Zeitgeist event, where they ponder where the Web -- and technology in general (e.g., energy) -- are going next.

* A final note: Other than fellow visitors, I saw almost no one else my age on campus. "My age" means anyone who actually saw the Beatles live on The Ed Sullivan Show. I'm sure there are some around the Googleplex -- so I look forward to a return visit where I can join them in Cafe 14 (or one of the 15 others, if my count is correct) for some locally-raised boneless pork chops with organic red cabbage and all the Honest Tea I can drink.

Broadway Weekend: South Pacific, Gypsy, In the Heights

At least once a year, Ann and I find a weekend to get to New York to take in several musicals. This was one of those weekends, and we drew three aces.

As we sat down to watch South Pacific in the Vivian Beaumont Theater at (the under-massive-renovation) Lincoln Center, Ann said, "This show is the Mozart of musical theater." Pretty accurate -- but this show has a better book than most of Mozart. Not sure what accolades I can add on top of what's already been said about Kelly O'Hara (whom we saw in the same theatre just three years ago in Adam Goettel's The Light in the Piazza), but there are two other great reasons to see this historic and important revival. First, Paulo Szot, a Brazilian opera singer playing the French planter de Becque is magnificent in delivering the classic "Some Enchanted Evening" and the should-be classic "This Nearly Was Mine." Second, Danny Burstein, who played the Latin lover Adolfo broadly, brilliantly and memorably in the original Broadway cast of The Drowsy Chaperone, renders Lt. Burris as a bittersweet character with deft comic timing. Add to this an all-around solid cast, clever sets, and a 30-piece orchestra that reminds you what a band used to sound like on Broadway.

The orchestra in the latest revival of Gypsy at the St. James Theater also numbers about two dozen, and they deliver the kind of fabulous brassy, percussive numbers that are central to this show. Patty Lupone brings real drama and pathos (and a diminishing but still unmistakable voice) to the role of Mama Rose, and she's the primary reason to buy your ticket... as close as possible to the stage to see a master at work.

I'll bet you can't sit still at Lin-Manuel Miranda's In the Heights, a tale of life in the predominantly Hispanic neighborhoods at the northern tip of Manhattan in the shadow of the GW Bridge. Miranda wrote the music, lyrics and raps that give this show a unique character. The show is incredibly kinetic -- lots and lots of singing and some riveting post-Fosse, post-Bill T. Jones choreography. This is a show to catch now - like one of my other Broadway favorites of the past year, Passing Strange, I'm just not sure what kind of legs this show will have without its creator/star.

It's A Big World Out There - And We're Ignoring It

Nicholas Kristof of The New York Times recently blogged about the disappearance of foreign correspondents at major American newspapers, and held out hope that a new user-generated site, Demotix, might help to fill the gap. The concept is interesting, and I'll keep an eye on it, but as Kristof should know better than anyone, there is no substitute for the seasoned, experienced, and perspicacious foreign correspondent. As an American, I find that the best writing about foreign affairs comes from those who not only know the places they're writing about intimately but who can also understand and explain the relevance of the "local news" there to a U.S. audience. That perspective is critical -- when there's so much to worry about at home, why should I care what's going on there? What does this mean to our economy, our security, our global interests?

While we live in a world of exploding outlets for expression, this is a need that I simply don't see being filled. The decline in international news coverage on TV and radio (with the limited exception of NPR and, in particular, BBC programming carried on NPR stations) is not surprising, given how consumers prefer to use those media. The decline in international coverage in print is inevitable, given the dismal economics of newspapers in the 21st century. An Internet business model to support high-quality, objective, critical international coverage has not emerged, and I don't know who's looking for one. 

There is some quality international coverage available if you go looking for it.  The BBC's website (free to you, than to the large TV taxes paid by U.K. residents) is probably the most comprehensive, and there is no better source for world news and analysis with an Anglo-American perspective than The Economist. And while there is no shortage of website aggregators of international news (I've looked at the MacArthur Foundation-funded curated website NewsTrust, for example), aggregations generally provide no context and relevance for an American reader -- even when the reports are in English, they are often culturally incomprehensible in the absence of a bridge-building correspondent.

About five years ago, Joan Kroc, philanthropist and heir to Ray Kroc's McDonald's Restaurants fortune, made a $225 million bequest to NPR that allowed the network to add several dozen news staff and institute a news fellows program. There's little doubt that the extra $15 million a year or so flowing into NPR's news operations has maintained and upgraded their quality.

After reading Kristof's piece, it occurred to me that we need someone of similar vision and generosity (and even greater means) to close the yawning news and information gap between America and the rest of the world.

I believe that we need a not-for-profit foreign correspondents guild (for lack of a better term) dedicated to explaining the world to us in America. 

This organization should have correspondents on every populated continent (I'll suggest 50 full-time professionals in total), who understand the politics and culture of the nations they cover as well as they understand ours.  The organization should have a lean administrative staff headed by someone with impeccable journalistic credentials paired with a solid appreciation of how the Internet influences the way we read and think.  

While the correspondents should write from the heart and with personality, there should be the highest possible premium on objectivity.  Opinion would be welcome, but ideology should not drive the enterprise.  These professionals would not be expected to be the first with news, but they should be the first with a solid, substantive interpretation of what the news means to an American audience.  And this organization's stories should be made available free of charge to every commercial and noncommercial news outlet that will have them, as well as the organization's own well-organized, noncommercial site.

Assuming this is a $100 million a year enterprise, it would require something on the order of a two billion dollar endowment.  That's ten times what Mrs. Kroc left to NPR -- pretty immense, and arguably not the first thing on many people's lists for "what we could do for society with two billion dollars."   But I beg to differ.  A network of solid information professionals, helping to interpret the world to Americans -- and putting the political, economic, social, environmental, medical, educational and other achievements and challenges faces by nations around the globe into a practical context for a U.S. audience -- could vastly improve our decision-making here at home and rebuild our sense of community with other nations... something that, as the last eight years have demonstrated, will be essential to our continued success as a leader in the world.

The next great capitalist who wants to use his or her bequest to change the world -- and America's role in it -- could do worse than to underwrite such a foreign correspondents' guild.

Concert Event: Lidia Kaminska and Friends, December 7

In my July 16 post, I promised that Lidia Kaminska will change the way you think about the accordion as a classical instrument.

If her interview with Hugh Sung convinced you, I hope you'll join Ann and me at an Astral Artists concert event that Ann and I are co-sponsoring: December 7, 3:00 p.m., at the Trinity Center, 22nd and Spruce Streets, in the beautiful Rittenhouse Square neighborhood of Philadelphia .

She'll be joined by two other talented young Astral Artists, Jennifer Curtis on violin and Michael Mizrahi on piano.

Here's a sneak preview of the planned program: Lidia's transcription of the J.S. Bach Prelude and Fugue in A minor; Scarlatti's Sonata in D minor; De Profundis (for bayan) by Sofia Gubaidulina; Sonata for Bayan by Alexander Pushkarenko; and, following intermission, A Bird's Eye View for Violin and Accordion by Chiel Meijering; Jasmin for Bayan and Piano by Tatiana Sergeyeva; and Lidia's arrangement of Piazzolla's Muerte del Angel, Milonga del Angel and Michelangelo 70, featuring Lidia on bandoneon with the trio.

For tickets, visit the Astral Artists site. And while you're there, please take a few minutes to learn more about the great work that Astral Artists does in grooming superb young classical artists for professional careers.

Lidia Kaminska Will Change the Way You Think About the Accordion

If you grew up in central Connecticut in the Fifties with Polish and/or Italian parents (I had both), the odds were unusually good that you would wind up playing the accordion. I've been an amateur (in the good sense, I think) for nearly 50 years, playing just for fun mostly in neighborhood jam sessions and the occasional social function. I've also made an occasional hobby of tracing the historical and ethnographic journey of the instrument. I became especially interested in this after reading Accordion Crimes by R. Annie Proulx (best known for her book The Shipping News) back in the mid-Nineties, a rich and well-researched novel (and a movie waiting to happen).

As I've sought out who's making great music with the accordion, I have met a handful of true professionals, most notably New York-area jazz MIDI accordionist Eddie Monteiro who accompanies himself on vocalise. And I've encountered (and collected) music by such terrific artists as jazzman Richard Galliano from France and new-music pioneer Maria Kalaniemi from Finland, and by other jazz, folk and new-music accordionists in dozens of countries on several continents.

Last year, here in Philadelphia, I met a young accordionist whom I believe will change the way Americans think about the accordion as a classical instrument.

Her name is Lidia Kaminska, and she is the first person to have earned a doctorate in accordion performance from an American university. I've seen her perform on both bayan (a complex, all-button Russian instrument) and bandoneon (Argentinian composer Astor Piazzolla's signature instrument). She's received well-earned attention in the press and on public radio.

If you take a few minutes to watch Lidia's performance and conversation with Hugh Sung, a faculty member at Philadelphia's incomparable Curtis Institute of Music, I think you will see what I mean. In the next few days, I'm going to post ticket information about a December 7 Astral Artists concert in Philadelphia featuring Lidia and two other terrific young musicians that Ann and I will co-sponsor. If you're open to new musical explorations, you'll want to join us there.

DVR Alert: Mad Men Returns on AMC

If ever there was a TV series deserving of the hype, Mad Men on AMC is it. A spot-on evocation of the culture of the early Sixties (at least as I -- who was 10 years old when JFK was assassinated -- remember it), with richly drawn characters, perfect sets and costumes, and constant reminders of why America went through such turmoil later in the decade - the racism, sexism, bigotry, and boorishness that lit a thousand flames of protest. The series returns for its second season on AMC on July 27. If you didn't catch up with the first season, use the next couple of weeks to watch it On Demand from your local cable provider or on DVD.

Food: Jamie Kennedy Wine Bar

Toronto is a festival city -- film, jazz, comedy, and lots of attractions on the Lake Ontario waterfront. If you find yourself in town with a small group, you will not come across a more perfect and more fun pre-theatre dining option than Jamie Kennedy Wine Bar at Church and Front, near the eye-popping wonders of St. Lawrence Market. At with many contemporary wine bars, Jamie Kennedy serves small plates paired with complementary pours. Recently, I hosted a group of six for a Friday dinner. While Jamie Kennedy doesn't take reservations, we arrived at 5:30 and copped a table in the rear surrounded by wine racks and separated from the restaurant by a low wall. We ordered all 17 small plates in order to share (skipping the soup), and we let the waiter choose three accompanying wines from their huge and fairly priced library -- a refreshing sparkling rose from Beaujoulais, a pleasant New Zealand white, and a really remarkable zinfandel from the Barossa Valley... the winemaker is Damien Tscharke, and while his produce is new to me, the waiter at Jamie Kennedy said that Australians visiting the wine bar go crazy over the stuff... I can understand why. Back to the small plates -- I tasted everything, and the kitchen batted 1.000. While I'm not a big fish eater, I have to say that preparations of pickerel and lake trout were rich and satisfying, and his take on poutine (the Quebecois melange of fried potatoes, cheese and gravy) with short ribs was pretty spectacular. Put this one on your list.

Segway... to... the... Rescue

Driving home through Center City Philadelphia tonight, I saw flashing red-and-white lights in my rear-view mirror. Turned out to be two EMS paramedics -- on Segway scooters. They looked cool -- bright red shirts, black shorts, "Paramedic" pouches on either side of their big wheels. I watched them as they tore up Ben Franklin Boulevard -- at about the same blazing speed that I walk the sidewalks of Philadelphia. As I rolled from red light t0 red light, they barely kept pace. Reminded me of an old Droopy Dawg cartoon, where Droopy rides to the rescue of a damsel in distress.... oooooooohhhh soooooooooo slowwwwwwwwwwly. I would not want to have been the Art Museum patron who had just had a seizure... concept 10, execution 2.

Archeophonist

My friend Dave is an archeophonist. He did not know that until this morning.

We were in Toronto - six of us, including Dave, Dale and our spouses - enjoying several consecutive sunny 80-degree days in this very walkable and pleasant international city.

Over Sunday brunch at a place on Church Street, we discussed an important contribution that Dave had made to the history of recorded sound. Earlier this year, he discovered the earliest known sound recording, dating from 1860. It earned a front-page exclusive in The New York Times, and he formally unveiled the recording to a roomful of experts and press at Stanford.

Finding Edouard Leon-Scott de Martinville's paper-based recordings, and figuring out how to coax sound from them, was an impressive feat of sleuthing, connecting the dots of history and science. (My wife played a tiny coincidental role in Dave's discovery -- it improbably involves the book River of Doubt, which tells the story of Teddy Roosevelt's post-presidential Amazonian expedition, but it would take a while to explain here.)

With this discovery, every text on the history of sound was immediately rendered incorrect. As Dave described the research that went into this discovery, I commented that there was something of Indiana Jones about it.

As we finished our coffee this morning, I said to Dave, "So, if someone asked you to describe in a phrase what exactly you do, what would you tell them?"

We kicked around a few thoughts. Then I picked up the CD of historic jazz recordings that Dave had given me when we sat down. It includes some rare recordings from his personal collection.

I noticed that the CD was on the Archeophone label. It is a specialty label, two of whose historical releases have been nominated for Grammys in the last two years, with a win for best historical recording in 2007. (Dave was a major contributor to these CDs.)

"Dave," I said, "I'm struck by the name of this record label. Obviously it has it roots in 'archeo,' meaning someone who digs into history and human culture, and 'phone,' meaning sound or hearing.

"So why don't you call yourself an 'archeophonist'?"

Dave loved the word. Having coined it, I'll take the liberty of putting forward the proper pronunciation: ar'-kee-OFF'-uh-nist.

So for my inaugural blog entry, as I recognize my friend's achievements in the history of recorded sounds, I'm pleased to have the word "archeophonist" appear on the World Wide Web for the first time.